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Urs Fischer at Cockatoo Island

Cockatoo Island in Sydney Harbour has a fascinating – if checkered – history. A former convict prison, a shipyard and a reformatory for wayward girls, the island also has a fascinating present as the site of a new installation by Swiss artist Urs Fischer. Fischer visited Sydney under the auspices of Kaldor Art Projects, whose previous projects have included Christo & Jeanne-Claude’s Wrapped Coast – One Million Square Feet (1969) and Jeff Koons’s floral Puppy (1995). Visit Cockatoo Island between now and June 3 to view Fischer’s artfully clunky and wonderfully gritty works – a skeleton climbs into/escapes from a packing case; impossibly contorted forearms are suspended from the ceiling and in the installation’s central piece, a huge knobbly structure, recalling both tree branches and disembodied limbs, spans the island’s central forecourt. A ghoulish spectacle.

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In my Personal Vision class at the International Center of Photography, one of our first assignments was to photograph a classmate naked. I was paired up with a guy who wasn’t keen on the assignment (he ended up backing out due to moral issues), and the opportunity to photograph a stranger in the nude is yet to come up again. Yet! With that in mind, we interviewed New York-based, Chinese photographer Shen Wei about his series Almost Naked and how he gets through those awkward moments. Read more


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You know that band you’ve always wanted to form, the one with the little-girl-lost singer with the mischevious eyes and the propulsive beats that drive bass hooks so catchy you want to bottle them up and sell them to Sting? That’s right, that fictional band that lingers just that little deeper in your imagination every time you saunter down Bedford Avenue, surrounded by girls in neon tights and guys in ruffed up converse. You know the one? Well, guess what, you’re too late. It’s arrived. It’s French. And it’s so damn good.

Hello, my name is Zolton and I’m a text addict. That’s right, an instinctive, compulsive plier of the trade, straight from the Michael Douglas school of confessional proclamation. Yup, I don’t care if it’s quick or protracted; if it’s a group message or one just for me. I’ll take that text any damn way you can give it. And if that’s a crime in these repressed, conservative times, then so be it. Just don’t strip me of my pride. Or my mobile phone. [illustration by Nathan Jurevicius]


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Legendary pop culture artist and Agit Pop founder Ron English will be a guest compiler of an upcoming issue of our email newsletter, writing about his favorite cultural discoveries. To read Ron’s edition of Lost At E Minor, simply sign up to our weekly newsletter. It’s free, you win!

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