Melbourne illustrators, designers and men-about-town Tin&Ed are known and loved for many things. Their lost-in-a-forest illustrations, their science-meets-whimsy line-based art, their collages, their photographs, their escapades and their generally unexpected solutions to design problems. Tin&Ed’s work is great, probably because they strive to find the best answer to each design challenge rather than aiming for a distinct studio style. Their recent work for Crumpler is not only awesome to behold, but has applications way beyond the commercial. Check out the animated alphabet and behold your ticket to the best graphic email signature ever. Spend a few minutes on the site and you’ll work out what we mean.
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Ed Janssen is famed in Melbourne for his jewellery designs, sold through cult Morrissey-friendly label This Charming Man. ‘The Knuckle Sandwich’ charm necklace (two pieces of bread on either side of a tiny set of brass knuckles, as pictured above) exudes an oddly amusing menace. More recently ‘The Bear Trap’ has been dangling from every second neck, wiping out hope for Melbourne’s unsuspecting tiny forest animals. Janssen is about to launch a new range inspired by the iconography of various secret societies. Melburnians can check out their old and new favourites at the first This Charming Man exhibition launching this week at Alice Euphemia’s new store. Flex those tiny knuckles and watch those tiny feet. Read more
With one foot in Melbourne and the other in New York City, Ed Janssen has found such a big fan base for his hand-made jewellery that he has had to cut back on his other great love in life - making the best espresso you’re ever likely to sip from a cardboard cup. But Ed’s charm necklaces are still inspired by his experiences in the cafes of Melbourne and Manhattan. Under the label This Charming Man, his cult item is known as ‘the knuckle sandwich’. Fashioned from sterling silver, it’s a set of three charms - two pieces of bread to hang on either side of a tiny knuckle duster. Other pieces include ‘the knuckle bagel’, as well as steaks, burger patties and single slices of cheese. We don’t know about New York, but every man in Melbourne worth his winklepickers is wearing these right now. [see also Lynda Holt]
Amanda de Simone is a Melbourne photographer who has a fine fine haircut. We also think she is the most exciting photographic artist in the city right now. Her portraits combine emotions like rage and grief with questions about masculinity, femininity, desire and … well … the spirit of rock ‘n’ roll. Her new exhibition at McCulloch gallery is called ‘Cock Fight’ Playing with the idea of the men’s club, ‘Amanda explores men’s lust for undying fame, their internal prowess in battle, their sensitivity to insults’. We think the idea is to pit the portraits against one another in a kind of imaginary Battle Royale. Then maybe pick some fights with some jocks, which we do quite frequently anyway, or at least whenever we walk past The Prince. Those who saw ‘Crying Boy Fanclub’ last year will know this exhibition is going to be hot.
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I started reading a very funny book over the weekend by the English writer Toby Young called The Sound Of No Hands Clapping. Brilliant. Never has a title been so apt as Young bumbles his way through the fickle Hollywood movie industry. It’s an excellent study in human nature. And a mighty big whack to to the shallowness of the celluloid world along the way. [illustration by Cecilia Carlstedt]
Caught The Dust Dive the other night at Glasslands. They’re a bunch of hippies, but even I have to admit, they’re atmospheric live show – consisting of violin, gently strummed guitar, a few piano and sampler twinkles here and there, and sound samples from the found footage projected behind the band – is really powerful, like the warm rush of fond memories that hits you an instant before the mushroom cloud annihilates everything. Frontman Bryan Zimmerman even plays the musical saw, and you really can’t argue with that.
Listen to their track, Claws of Light.
Australian group Pivot have recently signed with the mighty Warp label and — even better (well, for us anyway) — have written a fun Secret Playlist for us. You can see where the many disparate influences have seeped into their latest recording, the beautiful and colourful, O Soundtrack My Heart.
We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.
There’s an ethereal feeling about the music of London-based, Aussie exports Howling Bells. It washes over you in waves of pure melody, always tinged by the faintest whisper of longing. We checked in recently with frontwoman Juanita Stein. Read more
A minimalist design hotel parked on Thailand’s Koh Samui island, The Library stole my attention as I wandered down Chewang Beach at sunset. Read more
Ok, so I’m speaking from first-hand perspective here because as I type on this warm morning, with the faintest slither of sun creeping its way through the privacy blinds in my living room, I’m wearing the very same shirt that the dude in this photo is wearing. Yup, the same damn one. Perhaps I’m not looking quite as groomed as he is, but hey, it’s a start. Australian fashion label Das Monk is my new favourite t-shirt label and this shirt is more comfortable to wear that a thousand pairs of Ozone socks. Das Monk? Yes it is.
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David Holmes’ The Holy Pictures
David Holmes’ fourth solo album has been a long time in the making. The man who is best known for his scoring of films such as Ocean’s 11, 12 and 13, and remixing for bands like U2 and The Manic Street Preachers, took just over ten years to make his latest album. In his own words, he describes the album as beginning the day his mother passed away. ‘I had always wanted to make a record about my life in Belfast and all the things attached to that — family, friends, loss, love and starting a family of my own. All the stuff that shapes the person you become’. The result is a soothing blend of eclectic indie folk, which ranges from the soft and tranquil, to the upbeat and and joyous; an entirely delectable, personal album which touches on the universal trials of human emotion. Listen to the David Holmes track, Holy Pictures.
Alison Malone on her Daughters of Job photos
A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. The portraits of girls [below] are angelic. What was your intention of photographing them in this light? ‘There are many reasons that I chose to photograph the girls in this way. The first is the simple love I have of the straight photographic portrait and its ability to transmit the subtle nuances that come from an individual. When a portrait is made there is an opportunity for a delicate exchange between the photographer and the subject that creates a place to examine how one holds oneself in a moment’. Read more
Amanda Yoakum is the creative whirlwind behind YoaKustoms, customised sneakers which stand as ‘an artistic expression rather than just a factory look’. We dig these kicks like we haven’t dug kicks in a long, long time. Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. But I listen to music for stories and heart-felt sentiment. Roots Manuva gets that. He’s old school that way. His latest album, Slime & Reason, is still rooted in the UK grime scene (does that still exist, or has it gone the way of electroclash? I’m earnestly asking), but a lot of it is more overtly dub than anything he’s done so far, and he’s got some beats and samples on this record that are as dramatic and epic as some of the metal bands I listen to. He talks about real sentiments and earnest emotions and believable and relatable experiences, which may make him uncool amongst the sneaker-collecting kiddies, but even though this isn’t his best record, I still like where it’s coming from.
This beautifully soft, handmade and dyed scarf is by the New York-based designer, Ryan Sullivan. They can be purchased through the Lost At E Minor store. Read more
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
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