Adam Szary

WE'RE SUPPORTING

If gold fronts are just a little too flashy for you, head over to Salt Lake City where Steve Heward at Heward Dental Lab will give you a ‘dental tattoo‘, which is actually a crown onto which he or another one of his artists can paint an image of your choice.

WE'RE TRAVELLING TO

Schmidt, Hammer and Lassen’s design for the Copenhagen national library is a celebrated structure in the already glittering design portfolio of northern Europe. The marble and glass façade of The Black Diamond (yes, that is what their national library is called) is an example of architectural brilliance, with even the angled walls designed to best mirror the city’s beautiful canals.

WE'RE WEARING

Anytime you find Houndstooth and Hoody in the same sentence you know it will be a good day. Well, today has been a great day and New Dandyism, the lovechild of a conglomate of lusty designers — Sons by Obedient Sons, wood wood and Call of the Wild — is the reason. It’s a surprisingly coherent and articulate project for one cooked up in a kitchen filled with chefs. Read more

WE'RE THINKING

Hello, my name is Zolton and I’m a text addict. That’s right, an instinctive, compulsive plier of the trade, straight from the Michael Douglas school of confessional proclamation. Yup, I don’t care if it’s quick or protracted; if it’s a group message or one just for me. I’ll take that text any damn way you can give it. And if that’s a crime in these repressed, conservative times, then so be it. Just don’t strip me of my pride. Or my mobile phone. [illustration by Nathan Jurevicius]

WE'RE READING

Live Smart Daily is an online magazine for ‘people looking for a smart, simple take on daily life’ set up by Lost At E Minor contributor and LintCoat founder, Derrick Stembridge. Read more

How many times can we play the same song in different settings? Hmmm, I don’t know. But it is a hell of a song, from a hell of a band, as that uniquely English oddity, Jules Holland would no doubt concur.

WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.