Andrea Zittel has several installations featured at the MOCA in downtown Los Angeles at the moment. Her thematic artwork is particularly relevant for our times, running a concurrent dialog with the fashion industry and embracing the notion of modular living. Keep an eye out for the pop up structures. It’s all very inspiring.
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Also by NATHALIE FAUSTY
Takashi Murakami has landed in Los Angeles. His latest exhibition opened at the Geffen Contemporary at the Moca where close to 100 pieces are in display, representing the versatility of his ’superflat’ style of art. Read more
Barry McGee’s exhibition at the Red Dot Gallery in downtown Los Angeles features his super cool geometrics all pixelized as early 80s games — Space Invaders, Pacman, Mario Bros and more. Now if only he could’ve worked Punky Brewster in there somewhere. [read more 80s nostalgia]
After strolling through The Fillmore in San Francisco, you may end up at the bottom of the Golden Gate Bridge, which is where you can check out an exhibition of Vivienne Westwood clothing being held at the De Young center. It encompasses 30 years of her designs including the infamous The Queen With Safety Pins t-shirt as worn by The Sex Pistols. Also featured is a history of corsets, part of a dialogue between the innerwear coming out and turning outerwear. Ah, the mysteries and vagaries of fashion. This is all a very interesting and revealing exhibition.
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Well, it seems I’ve been in a vacuum of art since the spring. And now, its just a week or so out from the upcoming Young Blood exhibit, which features my paintings and opens at the Opera Gallery in New York. I find myself feeling both excited and nervous at the thought that this show is just around the corner. These past few months have seemed like one of the great feats of my lifetime. I have been working for five months on these two upcoming shows, immersed deeply in the studio, being on a complete mission to create what will be my debut show in Manhattan alongside a handful of other rising international artists. I would wake at once at 4:30 in the morning, to a strict regimen of coffee by five, and paint through the sunny summer days into late in the evening to complete these works. Read more
Where would we be without synths and drum machines? Probably still listening to Grateful Dead jams in the alleyways of Height-Asbury. Done well, the remix is a wonderful thing. Case in point is Royksopp’s rendering of the Kings of Convenience track I Don’t Know What I Can Save You From. And then there’s Riton’s version of the Mystery Jets song, The Boy Who Ran Away. A White Lines for the 21st Century? I think so.
Kristine Moran’s Francis Bacon-esque paintings are abstracted just enough to obscure the dark, sensual, and supernatural trysts between nebulous, writhing figures. Read more
The work of Australia’s Ben Frost is always interesting. He’s known for his controversial art juxtapositions that confront contemporary Western paradigms in our advertising obsessed society. Crapitalism is on display until November 3 at Opus Gallery in Newcastle, UK. I do hope any disgruntled viewers refrain themselves from slashing his work with a knife, unlike the infamous 2000 Australian episode.
Back in the day, when I was a skinny teenager on the great pedestal of life, I had a real obsession for the understated, low-fi, deliciously melodic and somewhat blurry sounds of the New Zealand Flying Nun bands. I would pool my meagre savings and canvas the local record shops, scouring the racks for the latest cassettes from The Bats, The Chills, The Clean, and, later, The Straitjacket Fits. Read more
I’ve always been an avid follower of the Comfort Station brand in Cheshire St, London, so I decided to pop in on Sunday to have a look at their new collection. It’s unique and different, featuring railway tracks and my favourite barometer necklaces, where you can rate the way you, or someone you’ve just met, is feeling, with indications of stormy, fair and excellent.
Going about day-to-day life can be a chore, which is why the guys at Anxiety Culture are delivering highly valid excuses for why people should feel free to do exactly as they please, which, in most cases, is absolutely nothing. Read more
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Check out Mike Stimpson’s Lego reinterpretations of classic photographs. Stimpson’s version of Malcolm Browne’s iconic 1963 photograph of the self-immolation of Thich Quang Duc is particularly twisted. Read more
Alex Passapera’s dizzying pen and ink drawings are cascades of images melting into one another, often looking like contorting, mutating creatures spewing blood-like ink splatters. Read more
With the recession still biting, it may be time to whip out the glue and the cardboard and make your next pair of cool kicks. Don’t know how they’d manage in the rain though? Read more
Charlie Immer’s pastel-pallete sometimes obfuscates the gory violence in his surreal images. At other times, it heightens the gut-wrenching and visceral effect of his work. Read more
Italian-born, New York City-based photographer Paolo Ventura creates fairy-tale like pictures out of amazingly constructed, miniature dioramas that almost trick the eye into thinking he’s a tilt-shift photographer. Read more
Wolfmother. Rock n roll. Mystical lyrics. Heavy riffs. They have a new album out, Cosmic Egg, and we have five copies to giveaway, along with their debut album. To enter, tell us your favorite Wolfmother song and the city you live in. Yo! Two fingered salute. Read more
From this artist selection of t-shirts comes this Michael Gillette illustrated t-shirt, limited edition and distributed in a vinyl sleeve, with a biography of the artist on the back of the sleeve. Each tee is numbered and signed by the artist, and comes in organic cotton. Read more
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