Dengue Fever’s Senon Williams discusses the band’s sound and story. How would you describe your music? ‘A waterfall far from its source, taking in all the creeks and streams until it builds its self into a massive cascade… that you can dance to’. Can you briefly explain how Dengue Fever came together? ‘Two brothers love the old 60s Cambodian tunes…they go down to Long Beach in California to check out some Cambodian clubs. Not finding what they were looking for, they ask a Cambodian singer to join their band… and voila!’ You recently traveled to Cambodia to create a doco, ‘Sleepwalking Through the Mekong’, how did you find that experience? ‘It was beautiful. We were lucky enough to record with several Cambodian master musicians, play a gig in The Tonle Basaac Ghetto, chill with our singer Nimol’s family, play on Cambodian television and more. We saw, heard, smelled and felt almost too much for my mind to digest. A lot of Cambodians and Westerners were telling me they had been to places they had never been to in years of living in Cambodia until we showed up. That makes me feel good’.
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Also by NATALIE LIECHTI
Current UK beat-boxing champ, Beardyman, recently kept impatient crowds entertained between sets at London’s Lovebox Weekender. We spoke to the Brighton resident about his offbeat style: ‘I’ve been doing it since I was a baby, but I never knew it was called beat-boxing. I thought it was just a habit, like biting your nails, and people were always telling me to stop. Being a good beat-boxer is a mixture between being a good DJ, a cheesy street magician and a vocal athlete’.
Sydney-based artist, James Jirat Patradoon on his career defining moment: ‘If I could trace my artistic inspiration back to one event, it would have to be the Neo Tokyo exhibition at the Museum of Contemporary Art in 2001. I had never seen art like that before; I didn’t know you could be so playful with it. I vividly remember the Yoshitomo Nara sculptures made out of bandages, and Kenji Yanobe’s atom suit and Godzilla/Astro Boy sculptures that blew bubbles. It was just so fun. I think because a lot of Japanese art contains references to pop culture, it’s more accessible for audiences. They aren’t so intimidated by it because it can be quite light-hearted but still have a serious undertone to it’.
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Ring the bells, we’ve recently launched a Facebook Fan Page. So now you can get your daily fix of cultural goodness and continue to make Mark Zuckerberg rich in the process. So please become a fan, then let us know which of the friends above you’ll be [psst, we bags the Tiny Dangerous One]
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