Dengue Fever’s Senon Williams discusses the band’s sound and story. How would you describe your music? ‘A waterfall far from its source, taking in all the creeks and streams until it builds its self into a massive cascade… that you can dance to’. Can you briefly explain how Dengue Fever came together? ‘Two brothers love the old 60s Cambodian tunes…they go down to Long Beach in California to check out some Cambodian clubs. Not finding what they were looking for, they ask a Cambodian singer to join their band… and voila!’ You recently traveled to Cambodia to create a doco, ‘Sleepwalking Through the Mekong’, how did you find that experience? ‘It was beautiful. We were lucky enough to record with several Cambodian master musicians, play a gig in The Tonle Basaac Ghetto, chill with our singer Nimol’s family, play on Cambodian television and more. We saw, heard, smelled and felt almost too much for my mind to digest. A lot of Cambodians and Westerners were telling me they had been to places they had never been to in years of living in Cambodia until we showed up. That makes me feel good’.
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Also by NATALIE LIECHTI
Current UK beat-boxing champ, Beardyman, recently kept impatient crowds entertained between sets at London’s Lovebox Weekender. We spoke to the Brighton resident about his offbeat style: ‘I’ve been doing it since I was a baby, but I never knew it was called beat-boxing. I thought it was just a habit, like biting your nails, and people were always telling me to stop. Being a good beat-boxer is a mixture between being a good DJ, a cheesy street magician and a vocal athlete’.
Sydney-based artist, James Jirat Patradoon on his career defining moment: ‘If I could trace my artistic inspiration back to one event, it would have to be the Neo Tokyo exhibition at the Museum of Contemporary Art in 2001. I had never seen art like that before; I didn’t know you could be so playful with it. I vividly remember the Yoshitomo Nara sculptures made out of bandages, and Kenji Yanobe’s atom suit and Godzilla/Astro Boy sculptures that blew bubbles. It was just so fun. I think because a lot of Japanese art contains references to pop culture, it’s more accessible for audiences. They aren’t so intimidated by it because it can be quite light-hearted but still have a serious undertone to it’.
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I love the bold colours and childlike themes in the illustrations of Atlanta, Georgia-based artist, Jessica Gonacha. It’s like Spring time all year round. Read more
Aurel Schmidt’s intricate drawings make me want to start a band just so I can use it as album art. The DIY-outsider tack many artists have taken of late has produced some art that makes you think ‘I could do that’, but Schmidt’s work is inimitable — her rendering of hair must make other artists furious with envy. Read more
Despite their over-the-top rockisms (ridiculously monstrous rigs, smoke machines, and high-wattage light show), Jucifer backs the bombast up with some colon-bursting heaviness. The duo from Athens, Gergia, take 90s-era grrl rawk and combines it with slow, plodding, sludge metal like High on Fire on Vicodin.
Michael Wolf, a German born American photographer, has lived in Hong Kong since 1995. His work explores the ways city-dwellers in China and Hong Kong shape their surroundings in an ‘organic metropolis’. His series — Architecture of Density — has some breathtaking images of Hong Kong’s apartment buildings.
In Japan, when one makes squeezing gestures with both hands at chest level, one is gesturing that one wants candy — soft, round, bouncy candy. At least, that’s what this commercial would have us believe.
Anytime you find Houndstooth and Hoody in the same sentence you know it will be a good day. Well, today has been a great day and New Dandyism, the lovechild of a conglomate of lusty designers — Sons by Obedient Sons, wood wood and Call of the Wild — is the reason. It’s a surprisingly coherent and articulate project for one cooked up in a kitchen filled with chefs. Read more
I spent time recently in the heart of Nashville, Tennessee, enjoying fine Southern cuisine, gracious hospitality [’y'all come back now!’] and the warmth of a sun beating down like a semi-gnarled blanket. It was interesting to see the cultural values of the city; the social graces of its people which permeate every conversation. Read more
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Sara Macel’s Nighttime series shot around Brooklyn, New York, reminds me of the movie, 200 Cigarettes. Much like the movie, her photos have an energy of anticipation - like showing up two hours before the party gets going and then walking home at 5am before the sunrise. Read more
The wealthy of this cramped metropolis we call New York don’t have lavish backyards — they have rooftops. Jwilly’s Rich People Rooftops NYC set on Flickr documents the spaces where the uber-rich of Gotham throw their cookouts, compost their kitchen scraps, or lounge on hot summer days high above our humble heads. Read more
Susan Rudat’s woodblock artwork
Susan Rudat’s pen and ink Moleskin artwork rules. Her lines are remarkably precise, and have the quality of old etchings and woodcuts. Read more
Doug Kanter at Beijing’s Midi Music Festival
The Midi Music Festival is sorta like the SXSW of Beijing, where bands from all over the country gather each year to rock out. Beijing-based photojournalist Doug Kanter did a series of portraits of concert-goers at Midi last year that is pretty fun. Read more
A master of juxtaposition, Canadian photographer Liz Wolfe has updated her site with her newest series which focuses on characters and confection. The photos are never what they first seem, revealing something a little more macabre on closer inspection: a meat tree, a diseased dear, a melting icy pole dripping blood. It’s all presented in hyper-real candy colours.
Created by graphic-tee fashion label the-affair and printed on soft American Apparel, this tee is available for purchase through our online store.
Thanks to our friends at Inertia, we have five copies of the awesome new Frightened Rabbit CD — The Midnight Organ Fight — to give away to randomly selected Australian Lost At E Minor subscribers. Read more
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