Marc Collin from Nouvelle Vague
by We interviewed Marc Collin, the creative force behind French group Nouvelle Vague, who along with a series of 80s acoustic tribute albums also released an installment in the popular Late Night Tales compilation series.
What was the most underrated of the 1980s New Wave bands and which was the worst successful band of that era?
‘Difficult to say … the sound for example should have been much bigger but also some bands like Section 25 (I got a live recording from 1984 and it’s acid house!) missed the success. I’m thinking also of Mecano, an incredible Dutch band. As for the worst, well what happened to Simple Minds, Human League, and The Cure after 1985?’
How many albums did you listen to in order to put together your tracklisting for Late Night Tales?
‘I didn’t listen to the tracks I selected. I put my selection together only by memory! I like to work only in a theoretical way. It was only when I was supposed to do the running order that I listened again to the tracks. And ultimately they didn’t keep my running order!’
If the mix could be summed up with one track off the compilation, which one would it be?‘Maybe Cibelle by Phoenix because there’s a lot of influences in this track – from experimental, to bossa, pop, jazz and so on’.
Tagged: 80s music, acoustic music, French bands, tribute bands
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Nouvelle Vague go unplugged. Again
We featured Nouvelle Vague frontman, Marc Collin’s Secret Playlist recently, so we thought it would be a good time to check in with him on the eve of the band’s Unplugged Australian tour, which will see them play shows in Melbourne, Sydney and Brisbane in mid-December. As a child of the 80s, I love your covers from that era. Is there a song that you wouldn’t cover? ‘No, I think that every song can be reinvented. It’s only a matter of having the right idea for arrangements, vocalist, production, and so on’. How did you manage you make the Yazoo song Don’t Go sound so damn sultry? ‘It was fun! I asked Gerald Toto to play the chords and sing the melody,thinking of how Jose Feliciano could have done it in the late 60s, and it happened. It is a magical moment when your ideas suddenly become real’. Do you find audiences singing along loudly to the music you play now wherever you perform? ‘It’s always good when the audience is singing. It brings us energy and shows us that they know the albums. Also, we can see which songs are the favourites’.
We’re big fans of French duo Cocoon, so we spoke to frontman Marc Daumail to prove it. Ahead of their upcoming tour of Australia in November, we asked him how vibrant the French music scene is right now: ‘It’s such a relief to be considered like a real band singing in English in a country like France, which is very conservative about its music traditions. We know Moriarty and The Do. They are nice. We all worked a lot to make this scene exist’. Which folk acts have most excited you recently? ‘My albums of the year are not very folky: Grizzly Bear, Lee Fields, The XX. But The Tallest Man On Earth just made one of the best folk albums of all time’. Read Cocoon’s Secret Playlist.
French duo, The Do, stormed into our iPods with their brilliant album, A Mouthful. We checked in with them to find out the music that inspired their album and they started by propping the Radiohead track, I Will [listen below]: ‘This is sort of a religious track. Someday it could be sung in churches Radiohead is full of grace!’ Read the rest of The Do’s Secret Playlist.
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