2006 SOYA Award finalist, David Capra, says of his largely collage based artworks: ‘It gives me an opportunity to create my own world where I feel more comfortable. It gives me something to lose myself in. But at the same time, it helps me keep both feet on the ground. I tend to use mediums associated with kindergarten, like plasticine and collage. This is because I think the work produced by children lacks formal constraints and is more spontaneous. I also favour collage for its lack of cohesiveness and sense of chaos. I consider the process of making art almost like role playing, a theatrical process where I can put down on paper or make tangible various feelings and thoughts that are sometimes unrelated. Often, when drawing a still life, I ask myself how would illustrator Saul Steinberg approach this bowl or how would someone that has never drawn before render this vase. I don’t know why. Perhaps to keep myself from getting bored and entertain myself’.
Also by ZOLTON
The vision of South Korean design consultancy Heerim Architects, the 35 story Hotel Full Moon is being built in Baku, Azerbaijan, on the west coast of the Caspian Sea.
Benjamin Johnson and Vince Agostino
I like the retro colours and subtle detail that permeates the work of Australian illustration and design duo, Benjamin Johnson and Vince Agostino.
Crazy chairs from the Campana brothers
Who said chairs had to be boring? Or practical? This range of chairs from designer brothers, Fernando and Humberto Campana, nicely blurs the line between form and functionality, art and science. Read more
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I’d been trying to figure out who the illustrator was who had done a few of the beautiful pieces for this year’s Kiehl’s holiday display for a while until I was serrendipitously pointed toward a certain rep’s website to check out some of their illustrators and I discovered it was Justin Gabbard. Score! Since finally coming upon Gabbard’s site, I’ve been back more than a few times to ogle his colorful, chiseled paintings, as well as his fantastic assortment of drawings and experiments. What I find most wonderful is the way in which Gabbard appears to continually tweak his techniques, painting one time, trying it digitally the next, throwing in a little of this and a little of that from one project to the next. Next time I’m out and about in the city and manage to happily stumble across Gabbard’s work, I won’t have the least bit of trouble placing it. Read more
There’s something quite attractively kitsch about the Lucky Dragons’ latest release, Dream Island Laughing Language. It’s undoubtedly unusual, and not too friendly on the ears, but something warm and fuzzy keeps creeping out of the broken drum rhythms and looped vocals. It’s a mish-mash of jangly folk licks, Squarepusher-style drum ‘n bass with a few Coco Rosie-esque experimental sound effects thrown in: intriguing, original, and fairly hard to describe!
Sculptor Richard Stipl creates disturbing, gothic, vaguely religious tableaus using hyper-realistic, resin casted figures that quite often are engaged in some bizarre behavior, covered in blood, leaking gore, or otherwise frozen in some horrific pose. A friend of mine said, ‘If you’re going to develop that level of skill, why would you use it to make such ugly things?’ I kind of like gross things, though, so it doesn’t bother me. Read more
In the grand tradition of Funny Exam Answers, comes Passive Aggressive Notes. Read more
I ran a series of 80s nights in New York last year — showing cult 80s movies and playing classic cuts from that era of kitsch and spice — purely so I could spin After The Fire’s Der Kommissar over and over. Yessir, this was the future of music in 1983. Pity no one was listening.
This organic form, revealing itself from the sprawling metropolis of Barcelona via the marauding eye of Google, is the Santa Caterina Market. Designed by the late architect Enric Miralles it has a floating ceramic roof that drapes the bustling market below in a parental way. The coloured ceramics, of course, represent the smorgasbord of fruit and vegetables on sale within and enable a majestic view, not only for Google, but also to its immediate neighbours overlooking the site.
Much2Much is an exquisite ‘bourgeoise punk’ jewellery line crafted with unlikely bits and bobs. Read more
WE'RE POSTING / SOME OF THE BEST
James Blagden’s neon fantasies
New York illustrator James Blagden’s work is so wonderfully trippy, I feel like I need to wear shades and a top hat when looking at them just to do them justice. Read more
I’m a sucker for just about anything to do with printmaking. UK illustrator Jonny Hannah makes a very strong case. Busy, colorful, spontaneous and brimming with inspiration, THIS is the stuff amazing is made of. Read more
Saira McLaren’s interpretation of the spiritual world
Saira McLaren is a Canadian born, Brooklyn-based artist whose blurred paintings of the natural and spiritual world are disturbing for what they reference as well as what they deny. McLaren has shown at Heskin Contemporary, New York, NY, Acuna-Hansen Gallery, Los Angeles, CA, and Mississippi State University. Read more
Japanese designers Keiichi Muramatsu and Noriko Seki founded the Tokyo-based fashion label, Everlasting Sprout, in 2005, based on their mutual interest in knit design. Each intricate creation in their Spring/Summer 2009 range took up to a week for them to construct. Read more
Marci Washington’s gothic paintings have an Edward Gorey-esque romanticism about them, her vampiric figures suggesting dark and mystical narratives. Read more
Legendary pop culture artist and Agit Pop founder Ron English will be a guest compiler of an upcoming issue of our email newsletter, writing about his favorite cultural discoveries. To read Ron’s edition of Lost At E Minor, simply sign up to our weekly newsletter. It’s free, you win!
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