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Illustration / David Capra

2006 SOYA Award finalist, David Capra, says of his largely collage based artworks: ‘It gives me an opportunity to create my own world where I feel more comfortable. It gives me something to lose myself in. But at the same time, it helps me keep both feet on the ground. I tend to use mediums associated with kindergarten, like plasticine and collage. This is because I think the work produced by children lacks formal constraints and is more spontaneous. I also favour collage for its lack of cohesiveness and sense of chaos. I consider the process of making art almost like role playing, a theatrical process where I can put down on paper or make tangible various feelings and thoughts that are sometimes unrelated. Often, when drawing a still life, I ask myself how would illustrator Saul Steinberg approach this bowl or how would someone that has never drawn before render this vase. I don’t know why. Perhaps to keep myself from getting bored and entertain myself’.

Also by ZOLTON

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Teenagers in Tokyo

Sydney pop starlets, Teenagers in Tokyo, have just released a new remix of their track End it Now dolled up and throttled into shape by local DJ group, Bagraiders. It’s as fun as a triple shot expresso with a dash of laphroaig.

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Yves Klein Blue’s Silence Is Distance video premiere

Brisbane band, Yves Klein Blue, as energetic a mash-up of styles and textures as you’re ever going to find, have a new video out. And it’s good. Fun.

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Celia Marais’ Field Excursion

Celia Marais’ Field Excursion was originally started as a study for the website for electronic musician Amon Tobin. It consists of “nine portraits of strange creatures made out of pieces of meat and fish, and given the names of existing or imaginary bacterias”. Read more

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If ever there were an apt description of our time, it would be that we are the ‘mobile generation’, in every sense of the word. We are a people of movers, we are offered choice on so many levels. And, in this way, we are far removed — both in ideology and practice — from those generations before us, who were generally more static and certainly less transitory. Read more


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The incendiary energy of Canadian quartet, Tokyo Police Club is electric. We caught up with keyboardist, Graham Wright. Read more

I’ve been a big fan of Michelle Vandermeer’s work since I came across her Mini Majellen zines at this year’s Sydney Writers Festival. Describing herself as a doer — as in one of those people who are always doing or making something — Michelle’s work, which includes book binding, illustration, jewelery making and her zines, stems from an internal creative springboard and a double degree in architecture and graphic design. Her work is smart and succinct. Read more

In my next life, I want to sing like Frightened Rabbit frontman Scott Hutchison. Oh, and grow a lush beard, so I can play in their band. Better start cracking.

The young architect Junya Ishigami is pushing the boundaries of the weightless aesthetic stream of architecture. Here, for the Kanagawa Institute of Technology, he has designed a glass and steel pavilion with a roof that floats on a sparse forest of thin steel columns or ‘flats’. Read more

A new idea has emerged in Norway that we think could be the precursor to things to come in the way our societies interact and develop. The general gradual demise of traditional gathering places such as town halls, community centers and churches has seemingly gone in hand with a generational shift and sharp increase in online virtual communities. However, humans still need to rub shoulders at some point to get things done, until, say, we perfect the sensitive hologram. Read more

The Virtual Shoe Museum was initiated by Liza Snook in 2004. Once the idea was born, a long search began for designers, photographers and publishers connected to shoes. New friendships developed and their mailbox filled with loads of material on fantastic shoes, art and design on shoes. The Shoe featured above is the Electric Light Shoe by Strawberry Frog.


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Aurel Schmidt

Aurel Schmidt’s intricate drawings make me want to start a band just so I can use it as album art. The DIY-outsider tack many artists have taken of late has produced some art that makes you think ‘I could do that’, but Schmidt’s work is inimitable — her rendering of hair must make other artists furious with envy. Read more

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Doug Kanter at Beijing’s Midi Music Festival

The Midi Music Festival is sorta like the SXSW of Beijing, where bands from all over the country gather each year to rock out. Beijing-based photojournalist Doug Kanter did a series of portraits of concert-goers at Midi last year that is pretty fun. Read more

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Sara Macel’s Nighttime series

Sara Macel’s Nighttime series shot around Brooklyn, New York, reminds me of the movie, 200 Cigarettes. Much like the movie, her photos have an energy of anticipation - like showing up two hours before the party gets going and then walking home at 5am before the sunrise. Read more

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Philip Toledano’s photo series, ‘Days with my Father’

Photographer Philip Toledano’s photo essay, Days with My Father, documents his 98-year-old father. Accompanied by some simple text, the images are intimate, heart-breaking, and ethereal, honestly depicting the nuances and tenderness of the photographer’s relationship with his subject. Read more

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Misaki Kawai

I was just recently introduced to the work of artist Misaki Kawai. I must say that my interest in her work has since become something of a creative obsession. Her trippy, child-like figures and animals, painted in the most expressive, perfectly satisfying candy colored hues, are more than enough to send me running for the bag of jelly beans and jolly ranchers hidden in my cupboard. Read more

beck

WIN

Thanks to our friends at Universal Music, we have three Beck 7″ vinyl Chemtrails singles, off his new Modern Guilt album, to give away to randomly selected Australian subscribers. Read more

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