More from our exclusive interview with Australian based singer/songwriter, Carla Werner. There’s a soulful tinge to your voice and the arrangements on the album. Does your New Zealand heritage impact on your music? ‘Yes definitely. But it’s not any one type of process to tap in on that, it’s just there inside the words or the music. I come from a very spirited family and have always been spirited. Things that inspire the music include what I listened to as a child and personal experiences; my Maori and Croatian roots; what and who I was surrounded by; and coming from a family that’s all about the heart’. Was there one particular moment in the recording or mixing process when you felt that this was something pretty damn special that you were creating? ‘Thank you. Yes, the moment I went into Big Jesus Burger Studios to mix and heard the songs come alive through all that old vintage outboard gear and coerced out of their green shells by a man who had no ego in the way he worked. It was all about the song and what it needed. At that moment when I heard the songs in their truest form, I felt warmed by them. When I’m writing something it needs to turn me on. My stomach needs to flip before I know that something really good has arrived. I use this as my gauge. If it isn’t making my heart want to rush to its next beat, then I probably won’t use it on the record. This is the way I have always worked and I was lucky to have a couple of people involved on the investment side of things who trusted my instincts. That’s what records come down to and I thoroughly enjoy the form of music to express myself creatively and honestly. I wrote on the Departure [first album] sleeve notes that music sounds the horns of our existence. True art lends no eye to the outcome. In my opinion it must be made without a second thought for accumulation of wealth otherwise you work towards fickle not forever’. [see also Carla Werner]
Also by ZOLTON
Maths explains the origin of superhero characters
I love the colours and simple reasoning in this clever series by Scottish illustrator Matt Cowen, which uses basic maths equations to explain how certain pop culture icons came to be. Read more
Star Wars Uncut: a fully crowdsourced version of Episode IV
The project of creative technologist, Casey Pugh, this full length version of the George Lucas masterpiece was created from multiple 15 second segments recreated from the original movie and submitted by thousands of Star Wars fans, which were then spliced together by editor Aaron Valdez to form the final product. Genius, as both a commentary on contemporary pop culture trends (there are references to LEGO, stop motion, memes and the like) and on the power of tapping your audience for quality material.
Filmmaker creates LEGO stop motion to propose to girlfriend
Now, this is one for the ages: back in 2010, Atlanta film-maker Walter Thompson created a jaw-dropping LEGO stop motion to propose to Nealey Dozier, his girlfriend of four years. The video took 22 hours of shooting and some 2,600 pictures to splice together, a small sacrifice to pay for years of happiness together. Right? Right! Oh, and she said yes. Bonus.
YOU'RE SAYING (0)
No comments yet.
HAVE YOUR SAY
The crops we feed cows with these days are literally fertilized with fossil fuels. Therefore, we essentially feed cows gasoline. We might as well ride them like motorcycles like this amazing sculpture by Billie Grace Lynn: it’s actually a human powered bicycle, but since all the food we eat is fertilized by chemical fertilizers, we are actually a form of combustion engine.
Here’s a rather beautiful Flickr photo set of images made by long-exposure photographs of Roombas afixed with ligh sources. Read more
The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]
When I first moved to London and didn’t know a soul, I joined up with the British Film Institute [BFI] and started going to the talks they put on. When I went to see Gene Wilder speak, all the know-alls in the audience kept asking questions, not to find out anything, but just to show off to the room how much they knew about film making. He got annoyed. Genius boy genius.
There’s no shame in being a spinster seeking solace from a meme blog, so for all you lonely gals (and guys) out there, Cute Boys with Cats offers to dull the pain of those lonely, lonely nights.
I caught Austin band Watch Out For Rockets playing the other week at the Beauty Bar, a small smoky den on a bustling hipster strip. Although they hit the stage a few hours late, they still cranked out an awesome set of guitar-based power pop, though they left out my favorite track, Urgent Serpent Merchant (below).
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
It’s official, I’m back into jewellery after detoxing from the 2001 chandelier earring craze. Aurélie Bidermann used to work at Sotheby’s New York in their Impressionist and Contemporary Art department but has been slowly raising though the ranks as one of the most innovative jewellery designers around today. Her website doesn’t showcase her fantastic Spring 09 pieces. Check out the accessory report on style.com for a good look at some of her new work.
WE'RE POSTING / SOME OF THE BEST
Christoph Niemann illustrates a nightmare flight
New York Times illustrator Christoph Niemann has created a brilliant visual diary outlining the peril and pitfalls that beset the everyday passenger based on his recent experience flying from New York to his home town of Berlin. Read more
It’s refreshing to see artists like Joe Kievitt who are contented to explore the beauty in simple forms and asymmetrical patterns. Read more
Matthew Dear’s Black City album totem
Our friends at Ghostly International are releasing Matthew Dear’s Black City album as a limited edition ‘totem’. A what? A totem – a limited edition metal bar used to access a private music chamber. Cool! Read more
Get lost in a daydream or a craving for something sweet while gazing at these cool sculptures by Brooklyn-based WiNK WiNK PONY. Made using clay, tree bark, wood, and mossy moss.
Baltimore Mural by Josh Van Horne
My friend Josh Van Horne, a local Baltimore artist, did this amazing mural in our neighborhood that depicts the history of this warehouse-laden area.
Inside this sea urchin shell is an organic perfume made from grapefruit and basil essential oils. This bottle, designed by Stephanie Simek, is refillable and is packaged in a wooden box decorated with a satin photograph and padded with slices of exfoliating loofah sea sponges. The Honeymoon-themed fragrance is all natural: made from plant-based oils and contains no alcohol or chemicals. We like. Read more
If you have a Twitter feed that focuses on cool pop cultural things and you’d like to swap Tweets with Lost At E Minor and other like-minded Twitterers, drop us a note (with Tweet Swap in the title). We have a system in place and we’d like to have you in on it! [illustration by Brad Fitzpatrick]
FOLLOW US
DISCOVER MORE
SO...
SEARCH: Can't find what you're looking for? Do a search..
IS IT GOOD FOR YOU TOO?
We hope you're enjoying your time on Lost At E Minor, but it's not over yet. Got something to share? Tell us about it and we'll look to publish it. If you want to have your work featured on the site, we'd love to hear from you. Pssst, we also have an online store stocking some of the goodies we feature on the site.
If you're a media agency and want to use this platform to connect with our readership, then drop us a line and tell us about it. Oh yeah, and we do digital consulting for cool brands that want to reach the sort of demographic that visits this site.
