More from our exclusive interview with Australian based singer/songwriter, Carla Werner. There’s a soulful tinge to your voice and the arrangements on the album. Does your New Zealand heritage impact on your music? ‘Yes definitely. But it’s not any one type of process to tap in on that, it’s just there inside the words or the music. I come from a very spirited family and have always been spirited. Things that inspire the music include what I listened to as a child and personal experiences; my Maori and Croatian roots; what and who I was surrounded by; and coming from a family that’s all about the heart’. Was there one particular moment in the recording or mixing process when you felt that this was something pretty damn special that you were creating? ‘Thank you. Yes, the moment I went into Big Jesus Burger Studios to mix and heard the songs come alive through all that old vintage outboard gear and coerced out of their green shells by a man who had no ego in the way he worked. It was all about the song and what it needed. At that moment when I heard the songs in their truest form, I felt warmed by them. When I’m writing something it needs to turn me on. My stomach needs to flip before I know that something really good has arrived. I use this as my gauge. If it isn’t making my heart want to rush to its next beat, then I probably won’t use it on the record. This is the way I have always worked and I was lucky to have a couple of people involved on the investment side of things who trusted my instincts. That’s what records come down to and I thoroughly enjoy the form of music to express myself creatively and honestly. I wrote on the Departure [first album] sleeve notes that music sounds the horns of our existence. True art lends no eye to the outcome. In my opinion it must be made without a second thought for accumulation of wealth otherwise you work towards fickle not forever’. [see also Carla Werner]
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TV On The Radio poster and vinyl
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
Ok, so it’s 3.30 on Thursday afternoon and I’m sitting in a Brooklyn cafe, tapping away as fast as two fingers possibly can. As I look around, discreetly to my left and then more openly to my right, I cannot see a single person in this warm and friendly place wearing a more stylish and comfortable scarf than the one that I have wrapped around my neck. Yes, as my grandfather would say, it’s a very ‘handsome’ scarf — a soft, playful, ‘handsome’ scarf. And you know what? There’s not a single damn person in this room who can compete with it. Ha! That feels good. That feels very, very good. Mind you, it is 76 degrees outside, and I’m starting to sweat, so perhaps I’m just a little … ummm … over-dressed.
Fujiya & Miyagi discuss their album, Lightbulbs
The new Fujiya & Miyagi album, the aptly titled Lightbulbs, is a typically crackling collection of songs, ‘a pulsing antidote to the ordinary’. Formed in 2000, the electronic duo of David Best (guitars and vocals) and Steve Lewis (synths, beats, programming), have since added bass player Matt Hainsby to the mix (in 2004), and now have an album in their catalogue which is ‘littered with fragmented images, anecdotes from the sublime to the ridiculous, blurry stories that you feel you shouldn’t have overheard’. The guys have given us the inside word on each track from the album, starting with the opener, Knickerbocker: ‘A vibration of words that sound good, touching on lost innocence, child star Lena Zavaroni, the very first tragedy of X Factor-style excess, and the joy of multi-storeyed ice cream sundaes at Woolacombe Bay. Knickerbocker mixes my sister’s and my memories of watching Lena Zavaroni on TV, whilst eating ice cream as children’. Read more
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Many moons ago, when my hair was longer and my eyes were wider, I played guitar in a Sydney rock band. Over a period of several years, the four members in the group went from relative normality to the very personification of imagined rock glory. Read more
My friend Lenka Kripac, formerly of Aussie group Decoder Ring, now flying solo, has just released her debut single — The Show — and it’s as catchy a slice of pop hedonism as you’re ever going to hear. Be warned: one listen and you may never shake the melody.
Australian group Pivot have recently signed with the mighty Warp label and — even better (well, for us anyway) — have written a fun Secret Playlist for us. You can see where the many disparate influences have seeped into their latest recording, the beautiful and colourful, O Soundtrack My Heart.
We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.
I’ve been a longtime fan of Jill Greenberg’s stunning and subtly manipulated photography for some time. Her incredible talent for accentuating her subject’s true personality, whether they be celebrities or animals, is uncanny. Unfortunately her latest work might find her in the midst of a lawsuit, but for now we can still enjoy these while photos they last. Read more
Anything goes in New York, even a white peacock in the middle of Manhattan. Yes, a white peacock! Who says the Upper West side is ‘upstate?’ Come visit one of the most beautiful neighborhoods in New York, which host the famous Cathedral of St. John The Divine (112th St. and Amsterdam Avenue). Read more
The mining and refining that provides the world with precious metals is also extremely damaging to the environment – each ounce of gold mined generates 30 tons of waste, much of which is toxic. Philadelphia-based Rust Belt make unique, finely crafted earrings, necklaces, and bracelets entirely from re-purposed and recycled materials. The processes they use to make their pieces are also environmentally sound, and they are shipped in beautiful, re-purposed glass bottles.
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Alison Malone on her Daughters of Job photos
A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. The portraits of girls [below] are angelic. What was your intention of photographing them in this light? ‘There are many reasons that I chose to photograph the girls in this way. The first is the simple love I have of the straight photographic portrait and its ability to transmit the subtle nuances that come from an individual. When a portrait is made there is an opportunity for a delicate exchange between the photographer and the subject that creates a place to examine how one holds oneself in a moment’. Read more
Herzog and de Meuron, the Swiss architects, have led the way with this re-use of the existing building fabric of CaixaForum in Madrid. Rather than being slavish to the existing openings, the building has been cut away for a contemporary practicality. We think this is an example of heritage not getting in the way of progress. Check out a similar concept of a previous post re-using the city fabric, where we were dreaming of such thing.
When it comes to making an entrance, nothing says rock star quite like a pair of leather pants. Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
The Grind 2.0, a charity auction show to fund construction of the Swift-Cantrell Skatepark in Atlanta, opens on Friday, October 10 at Atlanta’s The Rabbit Hole Gallery. The show features more than 60 hand-painted skate decks painted by some of today’s top underground artists from across America and Europe, and I couldn’t be more excited to be part of it! Other artists include Amy Sol, Dave Kinsey, Chris Stain, Jason Limon, Tara McPherson, Tessar Lo, and many more. The gallery is even offering an online bidding through their website.
This beautiful ultrachrome print on Hahnemuhle rag paper, measuring nine by twelve inches and in a limited edition of just 100, is available for purchase through the Lost At E Minor store. Read more
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
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