augie march albumaugie march
New Music /

Augie March up Blur

Glenn Richards, songwriter and vocalist with Australian band Augie March, writes exclusively about an album that changed his life: ‘Blur’s album 13 [1999] was made after the mayhem and celebrity of Britpop had subsided, but I think it’s a better album than mega-hits like Park Life and The Great Escape. The record opens with Tender pairing a majestic gospel choir alongside Damon Albarn’s languid vocal (for much of the record he ditches his familiar nasal whine in favor of a brave and affecting monotone); the song has an optimistic tone but this doesn’t last long and overall it is a moody and reflective work. There is so much colour in this album. At first a lot of it sounds garish and the mix unbalanced, but after several listens (and preferably with headphones) the method in the madness emerges and this band’s gift for complex musical textures is revealed. Graham Coxon’s guitar work is particularly inventive. 1992 is one of the best tracks: a repetitive and unorthodox chord progression spins around and around like a sad carousel before being consumed in a rising inferno of white noise. Trailer Park has great guitar and electric piano riffs that circle each other and occasionally collide in cacophony. Battle has a sci-fi feel, Mellow Song verges on country and western. The variety and experimentation on 13 reawakens you to the infinite possibilities of pop music. It’s a pity they only managed one more record after this one. [see also Little Barrie on The Stone Roses; Broken Social Scene on Slayer; and Dappled Cities Fly on the Bee Gees]

Hailing from Queens, NY, The Shivers recently released their latest record, More, via Silence Breaks. The New York cult favorites will be guest writing for Lost at Minor all week.

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YOU'RE SAYING (2)

Michael H said | 16 November, 2006

Interesting selection from Glenn. You wouldn’t really spot the Blur influence in Augie March’s music. But then, they seem to be a band that stand apart from others anyway. Nice to read his take on an album which has been on constant rotation on my stereo since I bought it all those years ago.

Slater said | 27 July, 2007

I don’t see the Blue at all. I see Travis; the Posies, maybe Wilco. Either way, I like it. Nice that it’s coming to the States.

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