Interview with New York producer, Moby. Your earliest musical influences seem to be mainly punk and new wave. What first attracted you to dance music? ‘Well, when I was growing up, I was exposed to a lot of different types of music. I was exposed to the pop music they played on the radio and then the weird music my mother played and then the strange music that my friends’ older brothers had and I liked everything and then when I first got involved in the world of punk rock and new wave, again I sort of ended up liking just about everything, you know. You’d go to a nightclub in New York and you’d hear punk rock and reggae and dance music and hip hop and new wave and all these different types of music played next to each other, so when I started making dance music, in my mind I hadn’t rejected anything else, it’s just at the moment I was most enthusiastic about dance music, which, in turn, created a lot of problems, because within the dance scene, you were sort of expected to only like dance music. You’re supposed to pledge your undying loyalty and fealty to the world of dance music and as much as I love dance music, I always liked everything else as well. I guess that to an extent that comes from being a New Yorker, because New York is such a varied and diverse place to live and that just seems natural and normal’. The title track of the new album is Go. What gave you the idea of sampling the Twin Peaks theme on that song? ‘I had written the song Go and it was the B-side to my first single. My first single was called Mobility. It was this very quiet, ambient dance track and Go was the B-side, but the original version didn’t have Laura Palmer’s Theme, the Twin Peaks strings on it and then I was watching Twin Peaks, because I was a huge fan and I heard that string theme and I thought, ‘Wow, it would be interesting to try and play that on top of Go’, and I couldn’t sample it, because it was too slow, so I had to play it myself and I guess to an extent it was a novelty. It was more supposed to be an homage than anything else, because at the time there were actually a lot of Twin Peaks novelty dance records, but I just did it because that Laura Palmer’s Theme was such a wonderful, profound piece of music’.
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Also by ZOLTON
The Cerasoli:LeBasse Gallery’s relocation
California’s Cerasoli:LeBasse Gallery has just moved to new digs on Washington Boulevard, Culver City. And to celebrate the re-launch they have an exhibition running featuring the work of Deth P Sun, Mari Inukai [above] and
Melissa Haslam, amongst others. This inaugural exhibition, the aptly titled Blender, runs until November 1st.
TV On The Radio poster and vinyl
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
Ok, so it’s 3.30 on Thursday afternoon and I’m sitting in a Brooklyn cafe, tapping away as fast as two fingers possibly can. As I look around, discreetly to my left and then more openly to my right, I cannot see a single person in this warm and friendly place wearing a more stylish and comfortable scarf than the one that I have wrapped around my neck. Yes, as my grandfather would say, it’s a very ‘handsome’ scarf — a soft, playful, ‘handsome’ scarf. And you know what? There’s not a single damn person in this room who can compete with it. Ha! That feels good. That feels very, very good. Mind you, it is 76 degrees outside, and I’m starting to sweat, so perhaps I’m just a little … ummm … over-dressed.
HAVE YOUR SAY
Israeli computer scientists recently created a computer program that changes photographs of people’s faces into more attractive images based on an algorithm that determines ideal distances between lips and chins, foreheads and eyes, and distances between eyes.
The indie, electronic pop duo Plastic Operator paired up whilst studying audio production at London’s Westminster University. In 2004, they released their first three track EP. Their music reminds me of bands like The Fashion, Crystal Castles and Cut Copy.
Australian group Pivot have recently signed with the mighty Warp label and — even better (well, for us anyway) — have written a fun Secret Playlist for us. You can see where the many disparate influences have seeped into their latest recording, the beautiful and colourful, O Soundtrack My Heart.
We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.
There’s a lot I could say about South African artist Robin Rhode. But to simply say that he’s endlessly cool pretty much sums it up. In fact, he’s so cool that Nike’s been accused of ripping off one of his pieces for a television ad (can you say plagiarism: just don’t do it?) Read more
French design dynamo Jean-Marie Massaud has created a Manned Cloud. A cruise airship with a hotel for 40 passengers and 15 staff, Massaud worked with the Office National d’Etudes et de Recherche Aérospatiale in this proposal. Read more
Jules Kim is the designer behind the jewelery label Bijules, which is based out of New York. This entire accessory line including hairrings, using real and synthetic human hair. This collection called Haire allows you to clip on colored pieces and daring do’s without having to commit.
WE'RE RESPECTING
WE'RE POSTING / SOME OF THE BEST
Seriously, nothing beats good old 35mm film. To me photography isn’t about capturing every pore in someone’s face, or even making slick, magazine-ready images. The imperfections in film put just enough distance between the viewer and the moment that allows room for an emotional and nostalgic response. Digital photos are generally so vivid that it eliminates all the mystery of an image. Check out Jeff Luker’s photostream to see what I mean. Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. But I listen to music for stories and heart-felt sentiment. Roots Manuva gets that. He’s old school that way. His latest album, Slime & Reason, is still rooted in the UK grime scene (does that still exist, or has it gone the way of electroclash? I’m earnestly asking), but a lot of it is more overtly dub than anything he’s done so far, and he’s got some beats and samples on this record that are as dramatic and epic as some of the metal bands I listen to. He talks about real sentiments and earnest emotions and believable and relatable experiences, which may make him uncool amongst the sneaker-collecting kiddies, but even though this isn’t his best record, I still like where it’s coming from.
When it comes to making an entrance, nothing says rock star quite like a pair of leather pants. Read more
Some friends and I serendipitously stumbled across the work the artist Hiro Kurata the other night and we have been jointly obsessing over it since. Kurata’s work is torrid, moody and fragmented like a restless dream. Bursting with texture and patterns, it’s simply brilliant. As my friend Andrew Degraff accurately put it, ‘It’s like Savador Dali thrown through a plate glass window’. Indeed. Read more
This beautiful ultrachrome print on Hahnemuhle rag paper, measuring nine by twelve inches and in a limited edition of just 100, is available for purchase through the Lost At E Minor store. Read more
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
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I.love.moby said | 5 July, 2007
UK producer? What are you talking about!!?? He´s from NY