Interview with Jai Pyne, frontman of young Sydney band, The Paper Scissors — one of Lost At E Minor’s hot tips for 2007. We Don’t walk was the breakthrough single for you this year. Where did that bassline come from and what were the lyrics on about? ‘We Don’t Walk came out of a jam in our basement in Redfern. I started playing the high guitar riff and Xavier just came up with the bassline. I think it works because it’s simple. The lyrics I am not that proud of. They are pretty much just a summary of ambition and a made up story of a kind of cowboy shoot-out. ‘With my eye on your hand’ is just watching out and taking care of myself. The chorus is reflective of the way the song developed, from the band and not just myself. Thus the repetition of We. How are the new recordings progressing and are there plans to put out more singles from the first proper EP? The new recordings are going really well. We are in Byron Bay [NSW] recording at Fracas Studios, which is my father’s business. This helps as we are doing everything on our own terms. I am producing and we are just going nuts, without anyone breathing down our necks. We are pretty early in the process, but I am excited about how the record is going to sound. It is going to cover a lot of ground stylistically. I am almost afraid that people might not get it because it is so all over the shop. But at the same time, I think that the musical climate needs diversity and something to contrast against the stale and monotonous state that is accepted as the current ’sound’. I know that people are ready and are waiting for a change, and I think The Paper Scissors, amongst some other bands that are waiting in the wings, will soon rise and eliminate the structured and generic status quo. There will be mariachi trumpets giving way to nasty as fuck rock songs, gay disco, noise, and folk love-songs. You will dance, you will cry, there will be screaming, brass, three drum kits playing at once, but the album will be about great songs and sounds. Journos will definitely use the terms ‘eclectic’ and ‘ambitious’. Rock, paper or scissors — what do you usually go for first up? Generally it depends on my mood. Just then I went scissors. I prefer stationery to nature most of the time, but sometimes it’s nice just to sit on a rock.
Also by ZOLTON
The Cerasoli:LeBasse Gallery’s relocation
California’s Cerasoli:LeBasse Gallery has just moved to new digs on Washington Boulevard, Culver City. And to celebrate the re-launch they have an exhibition running featuring the work of Deth P Sun, Mari Inukai [above] and
Melissa Haslam, amongst others. This inaugural exhibition, the aptly titled Blender, runs until November 1st.
TV On The Radio poster and vinyl
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
Ok, so it’s 3.30 on Thursday afternoon and I’m sitting in a Brooklyn cafe, tapping away as fast as two fingers possibly can. As I look around, discreetly to my left and then more openly to my right, I cannot see a single person in this warm and friendly place wearing a more stylish and comfortable scarf than the one that I have wrapped around my neck. Yes, as my grandfather would say, it’s a very ‘handsome’ scarf — a soft, playful, ‘handsome’ scarf. And you know what? There’s not a single damn person in this room who can compete with it. Ha! That feels good. That feels very, very good. Mind you, it is 76 degrees outside, and I’m starting to sweat, so perhaps I’m just a little … ummm … over-dressed.
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I’m really digging Los Angeles-based illustrator Jon Han’s textured, colourful, almost scientific work. I find it particularly refreshing how Han frequently eschews most of the physical detail within his tiny figures, which lends itself all the more to further enhancing the diagram like quality of his work.
Japanese artist Toshiya Tsunoda’s field recordings will blow your mind without blowing your eardrums. By placing sensitive microphones inside empty objects, such as bottles and hollow logs, he captures vibrations inaudible to the human ear. Layers of these sounds are artfully cut and composed to produce brute, mesmerising work that challenges our perception of music. Read more
Australian group Pivot have recently signed with the mighty Warp label and — even better (well, for us anyway) — have written a fun Secret Playlist for us. You can see where the many disparate influences have seeped into their latest recording, the beautiful and colourful, O Soundtrack My Heart.
We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.
Laura Veirs is one of my favorite songwriters. I can’t think of a single song of her’s that I haven’t loved instantly, and continue to wear out on my inner-ear iPod. I interviewed her recently, a few nights after I saw her awesome set at New York’s Gramercy Theatre. Read more
A Melbourne native once said to me: to find the good bars, you have to look for the bins in alleyways. Section 8 totally fits that quota. It is a bar that is a. in an alleyway, and b. filled with trash. As enticing as that sounds, I must make it clear that the alleyway is actually an old carpark in Chinatown and the trash is not exactly trash. But don’t let that stop you. Section 8 is pumping. Filled with forklift pallets for your seating pleasure, this little bar-that-could (also known as the Container Bar) makes a refreshing beverage and plays super cool beats all night. Read more
Seriously, all jokes aside, we really need to tear ourselves away from our computers every once in a while. These shirts, on sale at Threadless, may be intended as a light-hearted jab at modern culture, but who will be laughing when our hands become gnarled claws from decades of ceaseless typing and our spinal columns have fused solid from lack of movement? Evil monkeys, that’s who.
WE'RE POSTING / SOME OF THE BEST
Seriously, nothing beats good old 35mm film. To me photography isn’t about capturing every pore in someone’s face, or even making slick, magazine-ready images. The imperfections in film put just enough distance between the viewer and the moment that allows room for an emotional and nostalgic response. Digital photos are generally so vivid that it eliminates all the mystery of an image. Check out Jeff Luker’s photostream to see what I mean. Read more
Swiss manufacturer Peraves has recently introduced the Monotracer, a two-wheeled vehicle that’s remarkably similar to the lightcycles in Tron. Buckminster Fuller would be proud.
I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. But I listen to music for stories and heart-felt sentiment. Roots Manuva gets that. He’s old school that way. His latest album, Slime & Reason, is still rooted in the UK grime scene (does that still exist, or has it gone the way of electroclash? I’m earnestly asking), but a lot of it is more overtly dub than anything he’s done so far, and he’s got some beats and samples on this record that are as dramatic and epic as some of the metal bands I listen to. He talks about real sentiments and earnest emotions and believable and relatable experiences, which may make him uncool amongst the sneaker-collecting kiddies, but even though this isn’t his best record, I still like where it’s coming from.
The directorial debut of John August, a writer who was worked on films such as Go, Big Fish and Corpse Bride, is a complex and thought-provoking arthouse feature crowned with a spectacular performance by Ryan Reynolds in the lead role. Like most films, it is in three parts. However, these are three distinct parts with the same actors all playing different roles. Read more
Scour, a new way of searching the net
Have you heard about Scour yet? If not you will. It is quickly emerging as the most serious competitor to the Google search engine, with an approach based on votes and comments from users focusing on relevance. It delivers search results from Google, Yahoo and MSN, and the best feature is that each time you search, vote or comment, you receive points which can be exchaged for VISA gift cards. Sour gives you one point for each search, two points for each vote and three points for each comment. With around 6,500 points, you will receive a $25 VISA gift card. Not bad for doing something you’re doing now anyway for free.
Golden Half is one of the world’s most popular toy cameras. It’s compact in size and each click of the shutter uses half of the standard 135mm frame. This means a 36-exposure roll of film will return around 72 images. It’s available for US$100. Read more
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
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