Ramis Kim

WE'RE SUPPORTING

I’ve known the New York-based artist Jordan Awan for quite a long time now. Since he was in high school in fact. So I have had the privilege of watching his art truly evolve into something amazing. Read more

WE'RE TRAVELLING TO

MP5 + TO/LET are a collective of three girls from Rome and from Bologna who have been working on installations and graffiti since 2006. This graffiti was created in Medika, a new squat in Zagreb, Croatia. They were invited there for the Vox Feminae Festival, and this was painted in four days in the main entrance. Read more

WE'RE WEARING

Skagen are a Danish-born design company based out of Nevada with an innovative and clean approach to their work. Their trademark product is this titanium mesh watch, which I’ve worn with pride for years. But they also produce different models of sunglasses and jewellery. When so many products these days offer extra gimmicks and weigh you down by their size, Skagen strip it all back and, in doing so, hoist themselves far above the pack.

WE'RE THINKING

If ever there were an apt description of our time, it would be that we are the ‘mobile generation’, in every sense of the word. We are a people of movers, we are offered choice on so many levels. And, in this way, we are far removed — both in ideology and practice — from those generations before us, who were generally more static and certainly less transitory. Read more

WE'RE READING

Monique Easton runs a blog called Baby Got Framed where she cataloges barely remembered evenings and cute hipster zombies. Read more

The issue of abortion has hardly ever been represented so honestly by a movie. Knocked Up and Juno gave the pro-choice movement a boost, and of those two, only Juno came close to confronting the issue. In the Princess of Nebraska, the main character suffers through indecision, naivety and turmoil that seem much closer to reality. Read more

WE'RE LISTENING TO

There are two kinds of metalheads: those that are drawn by the hyper masculine, angry, aggressive aspect of metal, and those that are drawn by its Wagnerian drama, themes of pagan nature worship, and disdain towards modern civilization. The line between the latter and hippies is quite thin. I am one of these sorts of metal fans, which is why I also really love bands like The Lickets, an empyrean, luminously beautiful, experimental folk collective. They make music that makes you feel like a tiny speck floating in the vast oceans of existence, perfect for a night of star gazing, just like Burzum’s fourth album, Filosifem.