Tim Derricourt from Australian band Dappled Cities Fly tips the Bee Gees’ album, Saturday Night Fever, as being essential to any decent CD collection: ‘There’s no doubt that this album is absolutely superb, inspiring and above all, entirely wholesome. The songs have an intricate and intelligent strain, yet retain their pump ’n’ swagger, and from the pure white get-up that we see on cover to the sheen of those hunky string parts, this collection only emulates positive thoughts all suitable for a general exhibition. And that’s essentially why it (eventually) changed my life. At first listen, after pulling it out of my father’s vinyl collection, I was scoffingly shocked at its saggy dagginess; afterall this was the mid-nineties and I was a solid victim of my early-teens. At the time the genius of songs like More than a Woman and You Should be Dancing were completely foreign and inconceivable. But then I was forced to eat my Hot Tuna hat, as it wasn’t long before my face was a’ smiling, my hips were a’ swinging and my voicebox was a’ humming as I tumbled down the dark and sinister path of the disco-freaked metrosexual’. [photos by Esther Blake and Daniel Boud]
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I love the sense of space and subtle introspection that seeps through Gregory Euclide’s artwork. His says of his latest series, ‘my work explores the way we experience nature and how this is tied to the cultural practice of constructing landscapes as idealized images. When we are in nature we experience the world through all of our senses in a dynamic way, but at the same time we are framing what we see through the cultural expectations we have absorbed through representational systems such as landscape painting, wildlife documentary, and travel guides. It is impossible, then, to have a true, non-mediated experience of nature even though we may long for it. My work explores the contradictions between the projection of idealized, picturesque views of landscape and our desire to have an authentic experience in nature’. Read more
Powder necklace by Stephanie Simek
This Powder Necklace features a pearlized Turbo Cinereus shell with tiny holes drilled into the bottom, filled with a sparkling silver-colored powder that when gently tapped, sprinkles a light dusting on the wearer’s chest. Designed by Stephanie Simek.
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Brooklyn-based artist Leah Beeferman draws inspiration from architecture, maps, and mechanical diagrams for her geometric, almost-non-representational drawings. Her images seem ancient and timeless, hinting at traditional Asian scroll paintings, folk art, and cave paintings. Yet through her installations and projections, they cast new light on the contemporary spaces in which they exist. Read more
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New York-based artist Xiaoqing Ding’s work draws from traditional Sung Dynasty scroll paintings as well as from more recent forms, her figures looking as much like the cherubic babies in festive Chinese New Year art (known as Nian Hua) as they do the sultry flappers in cigarette ads in 1930s Shanghai. Her images have an ethereal and slyly erotic quality, referencing Chinese mythology, pre-revolution film, and subtly personal narratives. Read more
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