artsConnect

WE'RE SUPPORTING

Laura Veirs is one of my favorite songwriters. I can’t think of a single song of her’s that I haven’t loved instantly, and continue to wear out on my inner-ear iPod. I interviewed her recently, a few nights after I saw her awesome set at New York’s Gramercy Theatre. Read more

WE'RE LISTENING TO

Back in the ’90s, just as the gangsta rap phenomenon was winding down and hip-hop was fragmenting into its own subgenres, Prince Paul and RZA kicked off the short-lived horrorcore fad with their group Gravediggaz. At the time, the melding of dark, gothic themes with hardboiled rap seemed gimmicky and awkward, a strange extension of the early and awful attempts to bridge hip-hop and metal, but on closer listen, the now defunct supergroup was way more innovative than they were given credit for. Read more

WE'RE THINKING

Marianne Goldin creates lush illustrations that convey a wonderful sense of drama amidst its classical romantacisim. Read more

WE'RE TRAVELLING TO

A young female once said, ‘if I were into hot bikie guys, I would always hang out at Deus’. Translation: Guys on bikes like to hang out at Deus Ex Machina because they love the quality custom bike and all the quality trimmings. And, seriously, even the most Toyota Corolla driving of women will be entranced by the beauty of the custom work done by this place. Men and women alike fill the humid, tin-roofed showroom, running their fingers from the rough leather seat thing to the glossy front cover thing to the shiny metal handlebar things. Of course, if you really don’t care, or don’t know how to appreciate a thing of beauty, then, surely, you will love the Deus café. Truffle oil drizzled field mushrooms appear on the breakfast menu. If that doesn’t make you bow at the Altar of Deus, then you can go to hell.

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE WEARING

Australian jewellery label Peas, Corn and Tomato Sauce produces a range of one-of-a-kind jewellery made from items including busted vinyl, burnt and dismembered plastic dolls, chess pieces, and toys including army men, monsters and cowboys and Indians. Each piece is unique, hand-made and comes with a guarantee to start conversations wherever you go. Come over to the Lost At E Minor store and grab one now for $33. Read more

WE'RE READING

San Francisco-based illustrator Luke Feldman has just had his first children’s book published, Chaff n’ Skaffs: Mai and the Lost Moskivvy, a collaboration with writer Amanda Chin. The book artfully tells the story of Mai, ‘a young girl who never ventured too far from her home. When a lost mosquito interrupts Mai’s sleep, her friend Chaff suggests they escort Moskivvy back home to a faraway land. So begins a courageous girl’s voyage into a fantastic world’, all communicated beautifully through Feldman’s colorful, dynamic and considered illustrations. Read more