Heidi Yount

WE'RE SUPPORTING

We’ve featured Sam Weber’s work on numerous occasions, so it was good to finally track him down for an interview, asking him first up how immersed he is in the New York art scene. Read more

WE'RE TRAVELLING TO

Along with San Francisco and Barcelona, New York is arguably the modern street skating city, both in reality and image. Because of the unique background, experience and perspective of the film’s creators and the decision to “cast” the city of New York as one of the main characters, Deathbowl to Downtown promises to be an unprecedented, seminal film. Read more

WE'RE WEARING

Ok, so I’m wearing this sweater right now. How could I not. The damn thing shares the same name as me. Well, kinda. My parents threw in an ‘o’ into my name just to confuse the life out of people. But that’s a whole another story. The Zoltan is comfortable, soft, and colorful. It has ‘no fortune-telling capabilities’, but the ‘lightweight progressive color stripe scheme has an undeniably funky 70s vibe’. And it does. Yeeha. Now, where the hell is my bell bottoms and Grateful Dead vinyl?

WE'RE THINKING

Autumn Whitehurst creates beautiful vector works. Her bold use of colour allows her often cheekily themed line drawings to really leap out, creating a sense of visual serenity despite the occassionally dark subject matter.

WE'RE READING

Illustrator Dallas Clayton has just published an awesome book called, wait for it, An Awesome Book. It’s a ridiculously cute, heart-rending children’s book, encouraging kids and adults alike to never lose our senses of wonder and imagination (psst, it could make a great late gift idea!)

Oh boy, this is fun. Omaha’s Tilly and the Wall are kitsch-cool-camp-vauderville meets pop-folk-flamenco, with a tap dancer for a drummer and some serious, serious charisma for a calling card.

WE'RE LISTENING TO

After getting lost in the quagmire that is the internet, M83’s Digital Shades, first released digitally in 2007, has just been given a space on the shelf in your nearest music shop. Before shooting to acclaim with Saturday=Youth, Anthony Gonzalez looked closer to Krautrock and Eno and produced this ambient sometimes beautiful record. There’s much less of a disco feel than both Saturdays and his first album, Before the Dawn Heals Us. Some might say it’s a bit self-indulgent, not easily accessible, and more of a soundscape than a pop attempt. Yet, like Eno, Gonzalez is slowly becoming a master of the perfect chord sequence, and the result is an interesting, often heart-wrenching, set of compositions. Read about M83’s favourite songs right now.