Haircuts! We all gotta get one someday. But seriously, the recent crop I’ve seen around the streets of Sydney have completely shattered my faith in the very fabric of our society — a society that allows, no, encourages, mullets to become the look of the moment. Not that there’s anything wrong with them of course. It’s just that Billy Ray Cyrus is still out there — somehow, somewhere — and the great man is probably still sporting a whopper of a do. I would suggest to any aspiring fashionista that — to paraphrase Groucho Marx — you really wouldn’t want to be a member of any club of which he is the founder, style guru and president. [photos by Caroline McCredie]
Ah, yes. Bring back the good ol’ days of short back and sides and crew cuts I say. Or, as Abe Simpson (of The Simpsons notoriety) so eloquently put it: ‘Look at Namath’s sideburns! He looks like a damn girl. Look at Johnny Unitas! Now there’s a haircut you could set your watch by’. Wise words indeed.
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Also by ZOLTON
TV On The Radio poster and vinyl
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
Ok, so it’s 3.30 on Thursday afternoon and I’m sitting in a Brooklyn cafe, tapping away as fast as two fingers possibly can. As I look around, discreetly to my left and then more openly to my right, I cannot see a single person in this warm and friendly place wearing a more stylish and comfortable scarf than the one that I have wrapped around my neck. Yes, as my grandfather would say, it’s a very ‘handsome’ scarf — a soft, playful, ‘handsome’ scarf. And you know what? There’s not a single damn person in this room who can compete with it. Ha! That feels good. That feels very, very good. Mind you, it is 76 degrees outside, and I’m starting to sweat, so perhaps I’m just a little … ummm … over-dressed.
Fujiya & Miyagi discuss their album, Lightbulbs
The new Fujiya & Miyagi album, the aptly titled Lightbulbs, is a typically crackling collection of songs, ‘a pulsing antidote to the ordinary’. Formed in 2000, the electronic duo of David Best (guitars and vocals) and Steve Lewis (synths, beats, programming), have since added bass player Matt Hainsby to the mix (in 2004), and now have an album in their catalogue which is ‘littered with fragmented images, anecdotes from the sublime to the ridiculous, blurry stories that you feel you shouldn’t have overheard’. The guys have given us the inside word on each track from the album, starting with the opener, Knickerbocker: ‘A vibration of words that sound good, touching on lost innocence, child star Lena Zavaroni, the very first tragedy of X Factor-style excess, and the joy of multi-storeyed ice cream sundaes at Woolacombe Bay. Knickerbocker mixes my sister’s and my memories of watching Lena Zavaroni on TV, whilst eating ice cream as children’. Read more
YOU'RE SAYING (3)
Zolton said | 16 July, 2006
hmmm … though some girls can pull it off. check out early episodes of prisoner for proof.
Lost At E Minor: Music, illustration, art, photography - from Australia and beyond » Miriam Chatt said | 22 August, 2006
[...] Nice thematic work from Sydney-based artist, Miriam Chatt, who ‘makes art in her free time to fully satiate her appetite for colours, textures and shape. She has a CMYK chart on her wall and can wax expertise on typography, but she can also knit your nana into shame. Her obsessions include maps, masquerade and textiles and her work is interested in the aesthetic tensions of consciousness and anatomy’. This photo is part of a series of self-portraits shot in a structured setting. ‘I have hand made coloured filters similar to those attached to Holga Cameras, resulting in thematic, spectral images exploring concepts of identity, displacement, masquerade, sexuality, loneliness, and youth’. [see also Caroline McCredie; Terry Palka] [...]
HAVE YOUR SAY
If you like what we do at Lost At E Minor — and the talented, creative people that we give props to — then we’d love to hear how you can help us get the word out to more people about the site. Read more
Austin band The Low Lows are one of my most prized finds of the year so far. It’s introspective music — staggered harmonies delivered by a distant, agonised voice that filters through a wall of tranquil guitar distortion and measured drumming. Every instrument carries a powerful emotion, sometimes keeping their distance from one another, floating up and around the airwaves, and other times colliding and crashing back to earth.
Australian group Pivot have recently signed with the mighty Warp label and — even better (well, for us anyway) — have written a fun Secret Playlist for us. You can see where the many disparate influences have seeped into their latest recording, the beautiful and colourful, O Soundtrack My Heart.
We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.
We caught up with New York-based artist Sam Weber recently to get the inside word on where most of his creativity is unleashed: his studio space. In regards to your workspace, what are the props for your daily inspiration? ‘I wouldn’t say there is anything specific, although I am fairly particular about where I like to work, and what sort of stuff I like to have around me. There are things that I look at often, a book of Max Ernst collages, one on Yoshitaka Amano, and a big stack of clippings from magazines and the Internet that I will periodically leaf through to get inspired’. Read more
Last night, I caught Pagan Fest at B.B. Kings in NYC. I missed the band that I was the most excited to see, T˘r, but Turisas and Ensiferum more than made up for it. Americans have been pretty late to warm up to folk and Viking metal, and bands of this sort almost never tour the States, so it was gratifying to see that the show was sold out, and that the crowd was so exuberant. Read more
‘NaCo was created in 1999 by Tijuana’s Edoardo Chavarín and Mazatlan’s Robby Vient, schoolmates at the Art Center College of Design in Pasadena, California. Read more
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WE'RE POSTING / SOME OF THE BEST
The Grind 2.0, a charity auction show to fund construction of the Swift-Cantrell Skatepark in Atlanta, opens on Friday, October 10 at Atlanta’s The Rabbit Hole Gallery. The show features more than 60 hand-painted skate decks painted by some of today’s top underground artists from across America and Europe, and I couldn’t be more excited to be part of it! Other artists include Amy Sol, Dave Kinsey, Chris Stain, Jason Limon, Tara McPherson, Tessar Lo, and many more. The gallery is even offering an online bidding through their website.
Amanda Yoakum is the creative whirlwind behind YoaKustoms, customised sneakers which stand as ‘an artistic expression rather than just a factory look’. We dig these kicks like we haven’t dug kicks in a long, long time. Read more
Seriously, nothing beats good old 35mm film. To me photography isn’t about capturing every pore in someone’s face, or even making slick, magazine-ready images. The imperfections in film put just enough distance between the viewer and the moment that allows room for an emotional and nostalgic response. Digital photos are generally so vivid that it eliminates all the mystery of an image. Check out Jeff Luker’s photostream to see what I mean. Read more
Micah P. Hinson takes the good with the bad
We said a few weeks back that Micah P. Hinson is ‘like every rustic, broken down, and pieced back together country great that’s ever been. Only hipper and slightly less sombre’. With that in mind, we spoke to him recently and asked him whether his hometown of Texas was a difficult place for a young, aspiring musician to grow up in: Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
Cassettes Won’t Listen is the brainchild of New York-based, multi-instrumentalist and producer Jason Drake and is the latest of an abundance of musical monikers he has realised over the years. Small-Time Machine is Cassettes Wont Listen’s first-ever physical release and is available for US$23.70.
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Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
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lilly said | 10 July, 2006
Crew cuts for girls too?!
The worst mullet I’ve ever seen was on a girl. :\