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No I don’t dance. But heck I was tempted the other night. I was at a Foo Fighters gig, deep amongst the sweat-ridden bowels of a 20,000 strong crowd, with a mind-blowing laser show flashing above me and a band on stage so in the zone it was mesmerising. As Dave Grohl and his fellow Foeys cranked out epic riff after riff, a legion of adoring fans were losing themselves completely in the moment. Ah … the healing power of a catchy chorus and a seriously loud PA. Note to self: where have you been all my life?! Where have you been. And I still don’t dance. Bugger it! The guy immediately to my left certainly does. A big unit he was too, like a giant bowling ball, knocking people about like skittles. His manic spins and irrational directional changes helped clear a path for himself a good fifteen feet wide – and this in a venue literally packed to the rafters. It was either a stroke of calculated genius or he was on something very, very potent. I opt for the latter; and I want a bagful of it … now. But I digress. The point is that live music rocks. And good live music – those gigs where the band are obviously in it as much for the audience as they are for themselves – rocks even harder. Yes, all hail the mighty guitar and the constant smack of a tightly strung snare drum.
[illustration by Jonathan Weiner]

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In the beautiful work of New York City-based illustrator, designer and typographer, Mario Hugo, finely rendered faces and figures intermingle with various abstract patterns and shapes to create some seriously refined, surreal, and mysterious work that’s all that, and then some.


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Here’s another commercial building, and no doubt a nice one too. But just another commercial building. Yet there is something different here and it’s in the materials used. The cladding is a fibre-reinforced polymer, or a FRP, and has a finish similar to that of a car. Read more

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Multimedia art group Raqs Media Collective create striking installations dealing with their complex relationship to the changes happening in their home country of India. Their categorization based on national identity, however, would make them chafe, as they reject traditional notions of nation state. The main concept scrutinized by the group is modernity itself, and the so-called progress it embodies. Read more

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